We're available by appointment, just for you! Make yours now for a one-on-one presentation. You'll be glad you did.

Photographs of the Black South (1966-1969) by Julius Lester Part A & B

Jul 11, 2023 - Sep 27, 2023 | Themes: Photo Journalism

Young Woman Nursing Baby © 1966 Julius Lester Surplus Food Line © 1966 Julius Lester Mr. McCraney © 1966 Julius Lester Teenagers © 1966 Julius Lester Mrs Pitts below_Cicely Tyson. above © 1966 Julius Lester The Mississippi Delta © 1966 Julius Lester Graveyards © 1966 Julius Lester Reverend Pitts, Itta Bena, Mississippi © 1966 Julius Lester Cotton Fields © 1966 Julius Lester Blues Singer and Friend © 1966 Julius Lester Family Portraits © 1966 Julius Lester Interiors © 1966 Julius Lester Father and Son, Miss. Lover Levee © 1966 Julius Lester Faces, Men © 1969 Julius Lester Support Your Local Police © 1966 Julius Lester Structures © 1966 Julius Lester Young Woman © 1966 Julius Lester Miss Laura © 1966 Julius Lester Unknown Man © 1966 Julius Lester Fidler_Cousin's husband_Unknown © 1966 Julius Lester Lunch Counter, Greenwood, Miss © 1966 Julius Lester Outhouses © 1966 Julius Lester Black church and railroad tracks, Itta Bena, Miss © 1966 Julius Lester SOLD Highways vs Roads © 1966 Julius Lester SOLD The Quilter © 1966 Julius Lester SOLD Hands © 1966 Julius Lester SOLD Back and Forth  1966 Julius Lester SOLD Girl Laughing © 1966 Julius Lester SOLD Faces © 1966 Julius Lester SOLD Intersection, Itta Bena, Miss. © 1966 Julius Lester Laura Dancing © 1966 Julius Lester SOLD

These are the historic images now on exhibit and SALE at The Floyd Gallery.

SNCC sent Julius Lester to capture images of the Black South. Julius Lester made these images of the Black South in 1966 and 1967. Until now, they were NOT for sale. The family has released them to The Floyd Gallery for viewing and sale.

Our September exhibit have 14 artwork not exhibited here in August.

Each image is one of a kind. They were custom-printed by Julius on 13" X 18" photographic paper. Each custom print is matted and framed in an 18" X 24" metal frame. These historic artwork are only $475 plus MA Sales Tax. We 100% guarantee satisfaction. Call or text us now at 413-529-2635 or email at floyd@floydgallery.com.

                                                               ~~~~~~~~~~

I've been wondering why I took these photographs of abandoned cars and homes, and now this church. I came across a definition that went to the beating heart of the experience of abandonment -- to forsake utterly. 

Despite what a photograph may purport to be about, I think photographs are autobiographies. When we take pictures that are not for the sake of memory (family and the like), we are seeing something of ourselves, and are seeking to make visible something that is alive but unconscious within us.

It did not take me long to remember why I was drawn visually to that which was utterly forsaken.

At family gatherings, my mother loved to tell the story of how, when I was an infant, she would put me on the back porch and close the door because I cried so much, and she didn't want to hear me, and she would add how my brother would beg her to take me back to the hospital because I cried too much, and all this was related with much glee and laughter. 

Let me hasten to add that I spent a number of years in Jungian therapy and worked through the pain of this, wept copiously, got righteously angry, and luxuriated in self-pity. Please resist any temptation to tell me how sorry you are, that you understand, etc. etc. I am not in need of any words and do not want your empathy, sympathy, etc., nor do I want anyone to pass judgment on my mother or brother. I've done that.

What interests me is how this wound wanted to be known in 1966 when I took these pictures, and how it wants to be known and shared now in 2016. Could it be that our wounds do not want to be wholly healed in therapy sessions where we go into the pain and anger, the shame and humiliation that, also, burns us? 

There is the archetypal figure known as The Wounded Healer who finds in his wound his humanity, and in that wound lies the energy that reaches out to wounded humanity. Even more, one begins to see beauty in the wounds because the wounded learn how to survive and in that arduous process they can acquire the twisted and graceful ecstasy of a bonsai tree, or the battered ruggedness of stony shores at Big Sur or along the coast of Maine, because the wounded have learned what it is to endure and prevail.

The hard truth is that we all carry wounds, and sometimes when I hear Donald Trump shouting that we have become weak, that we must be strong, that he hates losers, and that we have become a nation of losers, I am overcome with sorrow for the wounds he must carry within himself, wounds of such magnitude that he is afraid he will be destroyed if he were to remove the cataracts hiding them from his vision. And so, he projects those wounds onto us and would destroy us rather than correct his vision. 

But more and more people are beginning to look at how this nation has put Native Americans, blacks, women, and so many others on the back porch and closed the door because it did not want to hear our cries. But more and more Americans are willing to willing to tend their own wounds instead of projecting them onto others.

And that is the challenge within each family - by taking responsibility for one's wounds, we do not project the pain of our wounds onto our children or spouses. Instead, we reshape our wounds until they become embraces that comfort, and where once we may have seen weakness, we now see beauty, battered, but never again, utterly forsaken._Julius Lester, September 6, 2016

Upcoming

Speaking Engagements & Critiques

Robert Floyd Photography conducts online and in-person art classes, workshops, and seminars for you.

Workshop

Currently there is no upcoming workshop.

Photo Adventure

Currently there is no upcoming photo adventure.

Photo Contest

Currently there is no upcoming photo contest.

Stay Informed

Be the first to know about new exhibits, events, classes and special offers!

Contact

212 College Highway
Southampton, MA 01073

Hours

By Appointment

Art Guarantee

All art purchased from the gallery is guaranteed unconditionally. We want you to love your art!

Learn More

All contents © 2026 Robert Floyd Photography. All rights reserved.